Genre - Groove/Thrash Metal
1. Feed the Extermination
2. Tremendous Brutality
3. Cancer
4. Ovulation Bitch
5. Storage of Anger
6. Dog in the Manger
7. De-Organ-Izer
8. Abuse
9. Trust in God
10. 'Til I'm Dead
2. Tremendous Brutality
3. Cancer
4. Ovulation Bitch
5. Storage of Anger
6. Dog in the Manger
7. De-Organ-Izer
8. Abuse
9. Trust in God
10. 'Til I'm Dead
Every once in a while you just happen to stumble across
an album where the sheer barrel scraping desperation of it all makes you throw
your hands up and walk away after wondering how a band once so good could end
up releasing something so unashamedly shitty. The band in question is German
Thrash act VENDETTA who have recently released their album “Feed the
Extermination” which is the second of their ‘comeback’ that began back in 2002.
Well I use ‘comeback’ with a slight sense of reluctance as it isn’t really much
of a return if this album is anything to go by.
I picked up “Go
and Live... Stay and Die” a good few years ago now in a second hand record
store and instantly their brand of frantic, semi-melodic Teutonic Thrash cemented
itself as one of my favourite German thrash records ever. They never did get
the attention those first two albums so deservedly garnered, that album or “Brain
Damage” easily stood toe to toe with NOISE’s other more recognizable German acts
at the time, bands such as DEATHROW, DESTRUCTION and KREATOR. This current incarnation
though appears only to have retained their original bassist Klaus Ullrich and
not much else.
So onto the post-mortem and being as brutally honest as I
can there is ultimately very, very little redeeming qualities present here. As
far as modern Thrash Metal goes the first two songs are just about passable
with the title track being the slightly stronger of the two. It strikes a nice
rhythm with some thick heavy riffs and doesn’t descent into quite the same
level of turgid nonsense that the rest does, like a third rate version of
modern Kreator almost. ‘Tremendous Brutality’ has the odd decent passage but
the guitar is far too loud and clean, which is much the case for the whole
album. Thrash Metal was never supposed to sound this polished and sterile. The
lyrics are also absolutely head-in-hands woeful: “I don’t care, look at me, I’m
tremendous brutality” on a seemingly never ending loop from beginning to end. But
you better brace yourself for here on in it gets worse, a lot worse.
It’s in ‘Cancer’
where the Groove influences really being to rear their ugly head, chugging
riffs with a downtuned groove and it all begins to sound like a really shitty PANTERA
clone. ‘Shroud of Anger’ sounds exactly like something they would have written,
and I can’t stress enough how jaw droppingly bad the lyrics are here. The absolute
nadir of the album lies with the ham fisted attempt at a solemn ballad in ‘Abuse’
though which falls monumentally flat on its face. A little word of advice, if
you’re trying to convey a feeling of sensitivity and melancholy, planting a great
monstrosity of a Groove Metal riff slap bang through the middle of the song is
not the way to go about it. Add in the uninspired drumming, awful vocals and
toe curling lyrics and you have what can only be summed up as a train wreck. Anyway, since when did Thrash go from lyrics
about banging your head against the stage and Josef Mengel to telling people “Abuse
is around you, is your daughter alright?” What is this, Jerry fucking Springer?
Simply put, this
is the perfect example what happens when a band feels the need to ‘modernize’ while
remaining blissfully out of touch with their apparent target fanbase. The
guitar is so flat and lifeless, the hackneyed and drab ‘chugga chugga’ Groove
riffs aren’t what Thrash fans want to hear. That shit went out of fashion over
ten years ago and it can stay that way. And the solos, where are they? I count
about two on the whole album; there’s more soloing in the first minute of ‘Trapped
Under Ice’ than this whole album. The vocals just don’t really suit the music
and don’t hold a candle to the original vocalists Mickey and Daxx, who are
sorely missed here. They sound almost like a cross between Zetro and Petrozza
with all the aggression and venom removed completely, the same patterns and
phrasings are utilized over and over at the same pitch without any range
whatsoever.
Basically, “Feed the Extermination” is every bit as bad
as the cover suggests, a self parodying overproduced Groove infested mess with
lyrics so bad your brain will be doing somersaults. I mean, this guy could even
give Alexi Laiho a run for his money in the ‘incessant and pointless use of
swearing’ awards. There’s no two ways about it, this is one of the worst ‘Thrash’
albums I’ve ever set ears upon. Utterly contrived and unambitious, avoid at all
costs.
Sounds like - Pantera, Exodus, Kreator
Originally written for The Metal Observer
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