Genre - Black Metal 1. Hellsurrection | |
2. Nazarene Shall Fall | |
3. Hall Hath No Limits | |
4. Ave Mysteriis II - the Second Coming | |
5. 66 Infernal Legions | |
6. Torment on the Tomb of Christ | |
7. Vatican Decays | |
8. Heaven's Monotony | |
9. Temple of Disease | |
10. Outro / Profecia |
Recently reunited and eager to spread their satanic
gospel throughout the black metal realm, Brazilian band Mysteriis have coalesced
once more after their rather uninspiring stint as Darkest Hate Warfront to release
only their second full length album, and this isn’t just any old resurrection,
it’s a fucking hellsurrection! Aren’t they clever? You’d think given the tragic
album title, horribly trite cover art and the band’s history you’d expect to
music to be similarly shallow and intolerable; I was certainly prepared for the
worst, but the material present on Hellsurrection
actually isn’t as dreadful as I initially anticipated.
The first half admittedly lags behind significantly
compared to the latter half of the album contains the stronger material. From
the off you’re initially struck with just how poor the production is, it’s a
plight that hangs over the album continually; the guitar tone is far too clean
and clinical, which is a shame as they can sew together some impressive riffs and
harmonies which are scattered throughout Hellsurrection.
A good deal of murk and grit would have added so much more to this album.
Execution wise, although fairly formulaic and extremely predictable,
the songs hold their own and occasionally there are some inspired moments such
as the soloing in the second half of the opener and “Torment on the Tomb of
Christ” which is arguably the strongest track here along with “Heaven’s
Monotony” and it’s rather quirky Arabic styled guitar flurries. Agares’ guttural
rasp is sufficient enough but far too one dimensional, something which could be
said of the majority of the album, it all kind of just coagulates into one big
pool of extreme mediocrity. At times there’s even a few keyboard passages spread within but they’re sparse and sounds as
if the band aren’t too sure whether they want to take the melodic road or not.
I would liken their sound to mid-period Ancient and at
times there are shadows of Emperor circling, but for the most part it falls
within the ‘safe’ category that Ancient themselves eventually fell into. I
suppose it’s no surprise the mid era Ancient vocalist Lord Kaiaphas makes a
cameo as does Lord Belial’s frontman. It’s vicious and harbours a good deal of
intent with all the elementary aspects performed well enough but when push comes to shove it’s nothing more
than an a severely average black metal album, something of which there are enough
of infesting the planet as it is.
As far as a showcase for Brazilian black metal goes
though it never had a huge scene to begin with, I don’t think Mystifier have
much to get concerned over, there are better artists out there. It lacks the
unique characteristics and variety which is needed to elevate a band such as
this to the next level. There’s all
manners of blasphemy and unholiness crawling out of every orifice here and if
that’s your thing you might find something present, though I struggle to find a
reason to go back to it really, for although an improvement on the previous
(that wasn’t hard), it’s still too much of a non-event.
5.5/10
Sounds like - Ancient, Patria, Emperor
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