Genre - Black Metal
1. Intro
2. Orage
2. Orage
3. Souvenirs (Anticosmic
Version)
4. Miist
5. Untitled
5. Forest Of Doom
6. The Walkyries (Ancalagon Cover)
7. Songes Funestes (Acoustic Version)
5. Forest Of Doom
6. The Walkyries (Ancalagon Cover)
7. Songes Funestes (Acoustic Version)
French black metal has always been one of the more
fascinating and dynamic scenes within the black metal sphere, it has a rich and
oft overlooked history and never lets up in consistently yielding a wide array
of new and impressive bands. Acts such as Aorlhac, Peste Noire and Celestia to
name but a few are hard to ignore and remain testament to the quality of black
metal being produced in the south of France at the minute. Fhoi Myore
themselves are from Nice, bearing many similar traits to the ‘mini-scene’ which
appears to exist in that region; a strong traditional DIY aesthetic and a heavy
distaste for shiny production values and all things modern are the foundations
of which The Northern Cold is built
upon, and for what was essentially a ‘test’ EP for the band to hone their
recording skills in preparation for a full length it’s a pretty damn fine
effort.
The intro sets the tone for the rest of the release, a
soft acoustic passage surrounded by samples of thunder cracks and rain which
initially threw me a bit as I was expecting something much more rough from
these guys. The guitar tone and riff structure throughout “Orage” is lifted
straight from Autumn Aurora, not that
that’s a bad thing, on the contrary. That hypnotic glare is replicated extremely
well and lays a heavily haunting vibe which lingers throughout. “Souvenirs”
though is a much more frenetic number containing some rather devastating riffs
and a battery of drumming that lies somewhere between Horna and Peste Noire in
its vicious and melancholic fervor. “Mist” would be my pick of the release though;
a skull crushing bulldozer of a track driven by the hugely aggressive drumming
and Balahr’s freezing, razor sharp guitar harmonies and Sreng’s piercing vocal
delivery.
Rough, chaotic and unpolished; it’s what black metal is
supposed to sound like, none of this gay fancy pro tools shit here, just pure
authentic black metal hell. And aside from “Forest of Doom”, a track much in
the same vein as the others, the black metal ends there. The others, a cover of
the cult Parisian band Ancalagon which doesn’t really diverge too much from the
original and an instrumental acoustic closer called “Songes Funestes” which I
have to admit does nothing for me other than coming across almost as an extension
to the intro and sending me half to sleep. As far as the black metal side of
the release goes, it’s pretty much top drawer, the last two tracks are a bit unnecessary
though but it’s only a minor fault as it’s only an EP.
The original material on this release I would recommend to
anyone who’s into the whole ‘underground’ feel that comes affixed with bands
like this and is an ethos more bands could do with adopting because Fhoi Myore
show here on The Northern Cold anyway that it can still sound
professional and allow appropriate room for all the different elements to
interact while avoiding sounding like it was recorded by a socially reclusive
teenager in his bedroom on a four-track. It recalls everything from Drudkh to
Peste Noire and a lot in between, and any self respecting fan of proper black
metal could do worse than check this out. Who’d ever have though when black
metal was in its infancy that the rather sunny climes of the Mediterranean would
harbour such cold and unforgiving music? I was also subtly impressed by the
nice nod to Moorcock as well. Recommended.
8/10
Sounds like - Peste Noire, Aorlhac, Drudkh
Originally written for Metal crypt
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