Genre - Melodic Black Metal
1. Intro
2. Alchemy and Arcana
3. Wyvern Solitude Chant
4. Echoes from the Stone Keeper
5. March of the Sylvan Beasts
6. Interlude
7. Mesnie Hellequin
8. Chasm of Asylake
9. Nightfall and the Fire Doom
10. Castle Ruins Anthem
2. Alchemy and Arcana
3. Wyvern Solitude Chant
4. Echoes from the Stone Keeper
5. March of the Sylvan Beasts
6. Interlude
7. Mesnie Hellequin
8. Chasm of Asylake
9. Nightfall and the Fire Doom
10. Castle Ruins Anthem
Darkenhold initially came to my
attention with their collaboration last year with compatriots Aorlhac
on the La Maisniee du Maufe
split, a band who they share many attributes with. Both draw their
influences heavily from the old Norwegian black metal scene with the
likes of Emperor, Satyricon and Taake forming
the bulk of their sound, a heavily riff-centric strain of melodic
black metal. They're also both from roughly the same area in
South/South Eastern France, and most importantly with the the release
of Echoes of the Stone Keeper, they're
both fucking awesome. The
tracks off the split were decent but nothing outstanding, similarly
their debut release A Passage to the Towers...
was a modest release that had all the echoes of a band who were yet
to hit their true stride.
So
enter their sophomore effort, Echoes of the Stone Keeper,
with its pummeling, semi-melodic
tremolo riffs and expansive patchwork of synth based atmospheres
draped behind, it has all the hallmarks and qualities of a band who
have really worked hard to hone their sound and create something very
distinguished and memorable indeed. If you know Darkenhold
already, you'll know they have a fetish for all things medieval and
fantasy, more specifically, wyverns and castles, so you'd expect the
music to reflect this then right? Correct, the atmosphere has been
kicked up a notch or two and the arcane keys of which Echoes...
is comprised of really emphasize that eerie, haunting and
medieval atmosphere Darkenhold are striving for. Atmospherics wise,
oft overlooked Norwegian act Wallachia I suspect play a huge
influence in this, while the 'metal' itself is drawn from the same
pool which gave us Satyricon, Emperor and even Abigor among others.
Like Wallachia, the album sounds like
it was composed in some crusty old ancient dilapidated castle in the
middle of Transylvania. It's melodic black metal constructed and
delivered exactly the way it should be, huge immersive swathes of
synth/key driven atmosphere at no expense to the fundamentals of
black metal whatsoever, and getting that appropriate balance is a
difficult thing to achieve. The guitar is in fact arguably the
strongest element of Echoes.., the
riffing is utterly scathing as it should be, and suitably diverse as
no two riffs ever sound similar. Tracks like “Under the Sign of
Arcanum” and “Chasm of Asylake” even have a sprinkling of
acoustics just to mix things up a little and further compound that
mystic and archaic atmosphere. The Satyricon influence in the riffing
is painfully obvious, they could be very well lifted straight off
Nemesis Divina itself,
but that's no bad thing, for just listen to the absolutely
devastating introduction to “Castle Ruins Anthem” or one of the
many riffs in “Wyvern Solitude Chant” and you'll see exactly what
I mean.
Aboth
turns out an extremely impressive performance behind the kit as well,
a thoroughly assorted affair refraining from the typical flat out
blasts and unrelenting hi-hat abuse, a good drum performance being a
rarity in black metal. A special mention must go out to “Nightfall
and the Fire Doom” though, the out and out standout track here
which can only be described as majestic, a sprawling behemoth of a
track drenched in esoteric chanting, sepulchral riffing and an
enthralling, enchanting atmosphere which lasts for six very brief
minutes before fading
out to something not unlike Wongraven. “Caslte Ruins Anthem” as
well it must be noted is an absolute bulldozer of a track with that
opening riff and it's staunch medieval sway which what I imagine the
perfect combination of Satyricon and Wallachia to sound like.
The
really full production does wonders for the music here as well, not
exactly clean but thankfully not ever entering 'bees in a biscuit
tin' territory. Echoes of the Stone Keeper
is exactly what I expect 'medieval black metal' to sound like, like
it was recorded in a colossal
and grandiose gold littered throne room from the depths of some far
fetched fantasy novel. It's
distinctly unrepetitive and broad enough that there's always
something going on that your mind never wanders. Darkenhold have
really stepped up to the plate with this one and they'll be a force
to be reckoned with in the future. This is majestic and melodic black
metal performed about just as well as you're going to hear all year,
and an album that will definitely be up there in my end of year list.
Highly recommended.
9/10
Sounds like - Wallachia, Nerthus, Aorlhac
Originally written for Metalcrypt
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