Genre - Thrash Metal
1.Lock up Your Children
2. Burned at the Stake
3. Assassin
4. Damien
5. Crying for Death
6. Spectrum of Death
7. Scars
8. Beyond the Gates of Hell
Years ago, back when I was getting into the genre as a
young, naive metalhead, Thrash Metal was probably one of the most extreme forms
of music I had set my ears upon. And like many other people I’m sure, the apex
of brutality lay with SLAYER, “Reign in Blood” was unlike anything else ever
heard, the most brutal and maniacal sounding noise ever put to disc. Then came
Teutonic Thrash, SODOM, DESTRUCTION and the ilk and not long after MORBID SAINT
crawled out of the abyss of underground Thrash and propelled it to a completely
unheralded level of brutality and evil that few bands have ever come close to
matching. Simply put, “Spectrum of Death”
makes “Reign in Blood” and “Pleasure to Kill” sound about as offensive as the fucking
Beach Boys.
The fact that “Spectrum of Death” still remains much of a
mystery to many casual fans of Thrash Metal is due to a myriad of various
reasons, they had their problems and most notably the lack of distribution and
backing of a decent label severely scuppered their ability to get “Spectrum of
Death” the recognition it deserved, and is still much of a problem to this day
with even shitty bootlegs fetching crazy prices on eBay. If you were to try and
pin a sound on “Spectrum of Death” I would say the closest thing would be that
it was the fastest, most aggressive and homicidal Thrash album never to come
out of 80’s Germany, I mean this had about as much in common with American
Thrash at the time as The Beatles did. I’d maybe even go so far to say that “Spectrum
of Death” could be filed in along with the likes of POSSESSED as a very
primitive form of the early stages of US Death Metal, and it’s understandable
when you realise Chuck Schuldiner was a huge fan of the band, bagging them
numerous support slots along with DEATH.
Musically it’s an album that’s basically unrivalled in
terms of vicious, bone grinding ferocity. Take the intro to the classic opener ‘Lock
up Your Children”, the pulverising double kick and breakneck riffing is just
flat out insane; and then you have Pat’s vocals, you’d almost believe that was
Pat on the fucking cover, a demon tore up from the bowels of hell spitting
blasphemy with an aggression that would rip the flesh from your bones. The
shorter songs such as ‘Burned at the Stake’, ‘Damien’, ‘Crying for Death’ are
all infested with an absolute mountain of face cleaving riffs and unbridled
drum work that’s somewhat comparable to being caught in a furnace of broken
glass; they’ll leave you utterly exhausted, blanketed in bloody lacerations and
needing extensive neck surgery . If that isn’t a sign of a good Thrash album
then you’re probably better off listening to “The Black Album”.
With the drumming, it’s the ‘not-give-a-shit’ looseness
of the timing that really gives the album that psychotic feel; it’s incessant, imposing
and so punishing I’d rate this as the finest drum performance any Thrash Metal
album in history, quite a statement. Similarly the guitar work spewed forth by
Jim and Jay is a continual bombardment of saw toothed riffs and incinerating
solos flailing wildly all over the place. It’s the longer tracks on the album
that really set it alight though, ‘Assassin’, widely regarded as the best on
the album has tempo shifts galore ranging from fast to hyper-fast and together
with that break at 1:12 it’s enough to cause a seizure. The best Thrash song
ever? Probably. ‘Scars’ is similar in its execution, inhuman vocals expelled from
the maelstrom of riffs and drums; it’s probably fair to say Pat Lind sounds
like Mille Petrozza on crack. Oh and then there’s the breakdown in ‘Beyond the
Gates of Hell’, a fitting closer to the album that in case there’s anything
left standing makes sure it’s levelled to dust by the end of the album. Find me
a chorus in the whole genre of Thrash with as much wretched conviction as Pat
screaming “Beyond the gates of hell, looking through the dark, forever I will
be, beyond the gates of hell” and you’re a better man than I. Pure
unadulterated evil.
Thrash has never and will never reach this level of
ferocity ever again, many have come close, for me only DARK ANGEL and DEMOLTION
HAMMER have threatened to usurp the throne of MORBID SAINT in terms of sheer
unhinged brutality. It’s everything Thrash Metal should be and unfortunate they
never got the recognition they deserved when it mattered, when the album
originally came out. What more can I really say about this iconic slab of
Thrash Metal that hasn’t been already? It’s just been rereleased on vinyl by
Relapse and CD by the band themselves, so now you’ve got no excuse.
10/10
Sounds like - Dark Angel, Slayer, Possessed
Originally written for The Metal Observer
Spot on, Chris. This album is impossible to beat and you know what - I'm this selfish to be glad the album does have this 'obscure' aura about it. Ferkin underground elitist...and proud of that,ha-ha.
ReplyDeleteCheers, mate!
PS 'Mille on crack' - I remember using exactly the same definition on FB once,ha!
too true! It's us 'elitists' that keep the underground alive, People throw it about like it's an insult :p
ReplyDelete